Fourth
Proof and validation of what I said in the previous episode I want to put a personal experience.
One day I wanted to paint the "original sin". I represented
Eve, the Serpent, Adam, Apple and more I looked at the presentation that seemed stupid and meaningless. I had done nothing more than a visual representation of the scene that thousands of painters before me have certainly represented better me.
At that time a Mr. Colombo (peace to his soul) who had a shop in Largo frames Holland (cross Viale Strasbourg) had organized a gathering of artists who bear stands, color palette and paint in the street among passersby that intrigued by this "thing" is unusual for Palermo stopped to talk with the artists and discuss their work. I had joined them and found it very stimulating. Finally, we gathered and gave a little of the spontaneous art.
In truth that the representation of the original sin was developed in the street I take rather bland and I think that even passersby did not say much. I was stopped about a week thinking and thinking about that image to sin. Suddenly there opened a crack and a great light came into my mind: I
three stages of sin! The representation is not a fact but a succession of feelings in the soul of man:
1) The initial disturbance to transgress and commit sin;
2) The enjoyment in sin;
3) The repentance after having done so.
As shown in these three phases JU image. There is no reasoning that can be done. Instinctively, overwhelmed by the idea, came out the only representation that can be seen from many angles a feeling that is a cubist not necessarily represent the outward appearance but the human soul. And I started hard to walk this road full of anguish.
Here's how I came to Cubism, Picasso certainly not copying but "thinking" as they certainly did him
continues
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